Campus
Novel attempt to re-establish the bridge
as a factor of community formation with specific reference to the stone bridges
of the Balkan area, the folklore and myths developed around them. Partaking of
the postmodern approach to Myth as a field of correlations, we focus on the
paralogi of The Bridge of Arta, as a narrative record of the constructional and
demographical aspects of the bridge, but mostly of the intensity with which it
has been registered on the collective imagination.
Paralogi (pl. paraloges) is a long, narrative song
similar to a folktale, which may be based on an actual event, mostly a tragic
one. These are not recounts of heroic deeds, but mostly elaborations of tragic
aspects of human life. Paraloges are usually caught in the myth and legend
creation process, giving birth to or being nourished by them, as they pass on
orally from place to place and from generation to generation. This is the
reason one may encounter the same theme in many variants.
Collective memory
may be traced on places. In our case the bridge stands for a place, or rather a
landmark. According to A. Rossi, the (constructed) places are the elements out
of which a communal identity is composed, their bonds with the past being
constantly reactivated in the present. It has been quite revealing for Rossi
the fact that, according to A. Loos, the purest form of architecture consists
in the constructed place coinciding with the need for its construction. Accordingly,
the bridge acquires its monumentality through a process of marking in reference
to the past and the communal memory. The notions of past and tradition are not
limited to an atavistic logic, but rather consist in tracing layers of memory
among those various structures which repeatedly/constantly define human life. The
bridge of Arta is therefore connected as a landmark to the contemporary urban
factors, such as roads, bridges, passages… through the collective habitation
experience.
In the
Paralogi of the Bridge of Arta the sacrifice of the chief mason's wife is
essential for the founding of the building. Tradition has this sacrifice to be
part of a ritual of atonement towards the natural elements. Human tampering
with the environment was considered to be a sacrilege, a hybris against natural
order and as a means of precaution against the destructive angry forces of
nature, a living being had to be built in the construction. One encounters the
same motif in many ancient Greek tales, but there exists also a long list of
references to construction-related human sacrifices in medieval Europe.
Sisters three we were, and doomed we were all three.
One
built over the Danube, one the Euphrates river
And
as for me, the youngest, I build the bridge at Arta.
The Paralogi
of the Bridge of Art exists in three hundred and thirty three variants based on
the obstacles in the building of a bridge as well as on the fate of the
builders and their families, often a tragic one.
The present
booklet is part of the work Paralogi. In it data on the bridge has been gathered
and subjected to an editing, focused on the bridge as a passage, a channel of
contact, a threshold. The booklet will be placed on a shelf in the middle of
the bridge between Oostenstr and Mercatorstr in Antwerp as a link to an
internet location where the said data exists. In this way, the potential user
of a digital passage – link may be actively involved in processing and
distributing the artistic work.